Note #7
TRIGGER WARNING
THE FOLLOWING INTERVIEW IS ENTIRELY FICTIONAL AND IS NOT MEANT TO BE OFFENSIVE TO THE ARTIST OR ANY COMMUNITY
TRIGGER WARNING
THE FOLLOWING INTERVIEW IS ENTIRELY FICTIONAL AND IS NOT MEANT TO BE OFFENSIVE TO THE ARTIST OR ANY COMMUNITY
Billboard finds out the origins of multiple award winner
Juanes’ music inspiration and his love for his native Colombia
“Hello”, he greets with a broad smile that propagates warmth
to every person in the studio. He places
his Hendrix besides the wall and seats himself. “Los Angeles is always such a welcoming place, I love coming here”, he exclaims. Then why don’t you move here permanently, I ask. “Oh no, LA is great, but home is where the heart is and my home is Colombia. I can never think of moving from there.” The response highlights his strong attachment to his country and his people. No wonder he is so widely loved there. “So how did it all begin?” “Well during my childhood, my father and brothers were the ones who got me into music. I looked up to them for musical inspiration. They taught me how to play the guitar and it has been by my side ever since. I played and played and eventually got a little better at it.” “A little better and you won 22 Grammys and Latin Grammys. Not bad at all!”, I proclaim. He puts his head down and laughs a little, letting his humility shine through.
his Hendrix besides the wall and seats himself. “Los Angeles is always such a welcoming place, I love coming here”, he exclaims. Then why don’t you move here permanently, I ask. “Oh no, LA is great, but home is where the heart is and my home is Colombia. I can never think of moving from there.” The response highlights his strong attachment to his country and his people. No wonder he is so widely loved there. “So how did it all begin?” “Well during my childhood, my father and brothers were the ones who got me into music. I looked up to them for musical inspiration. They taught me how to play the guitar and it has been by my side ever since. I played and played and eventually got a little better at it.” “A little better and you won 22 Grammys and Latin Grammys. Not bad at all!”, I proclaim. He puts his head down and laughs a little, letting his humility shine through.
“The guitar was my utopia – an escape from all the chaos
around me. I immersed myself in music to forget all the troubles.” And we’ve
touched a sensitive, but immensely important aspect of Juanes’ life – the Colombian
civil war. Growing up in Medellin, Juanes has seen the horrors of war first
hand. A terrible war that claimed hundred thousands of life – a catastrophe in
which Juanes himself lost his cousin and a close friend. Music was his
recuperation, his only friend in times of distress. “The struggles that you
faced have obviously left a very big mark in your life – both on you as a
person and your work. Tell us more about how it affected you growing up and how
it shaped your music.” He adjusts his long mane and proceeds to respond saying,
“Medellin was a tough city, highest homicide rates in the world, violence at
every corner – it was extremely hard to make a survival knowing death could
strike you at any time. The people of this city, the people of Colombia had
suffered a lot. This country was reeling from scathing attacks and I could only
hope the situation would get better. I wanted to help heal the people, and I
chose music as my medium. Actually my solo debut, Fíjate Bien, which means to
focus or pay attention is centred around the atrocities of war.” Fíjate Bien, a
deeply moving and emotional song was released in 2000 and was very well received
both critically and commercially.
He hesitates for a moment as he digs into painful memories
from the past. “I just wanted to project my hope to a larger scale and share it
with more people so I formed Ekhymosis in 1988. Since I mostly listened to rock
and metal acts, Ekhymosis was primarily a thrash metal band. We gained some popularity and there’s that.” “Ekhymosis,
despite being quite popular outside Colombia, never really ventured outside the
Colombian market. You could’ve tapped into foreign markets, but you didn’t. Why
is that?”, I inquired. “Our music was tailor made for Colombia and we made it
primarily for the Colombian people. That didn’t mean we didn’t want others to
listen to it, but we wanted to preserve the authenticity of it.” Dedication and
loyalty to Colombia was crystal clear in his words, demeanour and actions. His song
A Dios Le Pido (I ask from God) gained a cult following and attained anthem
status not just in Colombia, but in other parts of Latin America as well. It
was revered for its uniting spirit and its success in strengthening the community,
something Juanes has become synonymous with. It is what he stands for and he
has used multiples symbolisms throughout his career to signify that. When asked
if he would sing in English, he refused saying that Spanish was what he best
expressed himself in and it brought out his true personality, while allowing
him to solidify his relationship with his community. “Your attachment with
Colombia is very commendable. It is easy to see why people across the nation
love you. In a way, you have brought their sentiments to the big stage and embodied
them in your music as a timeless existence. You are truly a representation of
who they are and the lives they live. Thank you for sparing time with us. It
was a pleasure to have you here.” “Thank you”, he grins and we have to end the
interview here. This experience had a valuable takeaway for me. A mega successful
star so firmly rooted in his origins and very conscious of the social responsibility
he held was truly a sight to behold.
You have shown a good conventions of creating an interview. The word choices are good. If this interview were to come from Rolling Stones it should have a structure similar to this: http://www.rollingstone.com/music/news/john-lennon-the-rolling-stone-interview-19681123
ReplyDeleteThe style in which you write is very interesting. I like how you show the strong attachment Juane to his homecountry.
ReplyDeleteI like how you wrote the interview similar to how Rolling Stones write their interviews.
ReplyDelete